Behnaz Alebouyeh
The human presence — and the light that finds it.
Trained in the disciplined realism of the Florence Academy of Art, Behnaz Alebouyeh paints the human presence at close range — portraits, still lifes and quiet interiors where a single source of light does the work of revelation.
She painted herself life-size, so there would be nowhere to hide. The dress is the pale of early morning — the hour before decisions are made, one hand open and the other not yet. It is less a likeness than a question left standing in the room.
Every year Rosemary has lived is somewhere in this face, and none of it apologises. The light finds the ledger of her cheek and reads it slowly, without flattery. To sit for a portrait at her age is its own quiet kind of courage.
An old suitcase, unlatched after years, gives up its small population of marbles and paper figures. Each glass sphere holds a trapped afternoon — a courtyard in Tehran, a game called in before dark. Memory, the painting seems to say, travels light but never fully unpacks.
Clemence was caught between two thoughts, and the second one won. The green of her coat is almost the green of standing water, still holding the last of the day. She looks just past the painter, at whatever it is we all keep looking for.
Named for the goddess, though she is entirely mortal — and the better for it. The painter grants her no shell, no sea, only good light and full attention, which is the older form of worship. Any ordinary face, held long enough, turns to myth.
Two swans folded from a single sheet, sailing a tabletop that has quietly become an ocean. Paper remembers every crease, the way we remember every hand that folded us. They will not last the season — which is precisely why they were worth painting at all.
Farnaz arrives the way remembered faces do — certain at the eyes, dissolving at the edges. Painted almost from memory, in the blues of distance and long telephone calls. Some people we hold; others we only manage to keep the outline of.
A smaller, later self — painted after dark, when the face belongs to no one else. Here she is not asking anything; she is simply keeping herself company. The background gives nothing back, and she seems to prefer it that way.
The performance is over; the clowns have folded into one another like laundry. On a canvas the size of a book, their painted grief is somehow larger than the room. Even joy, it turns out, has to lie down somewhere.
A string of small fires, strung across the black, insisting on warmth. The dark is enormous and the lights are not; that is precisely the point. She paints the smallest defiance — a winter room that refuses to go cold.
Built entirely from shadow — no colour to hide behind, only the places where the light stops. Chalk lifts him out of the paper; charcoal lets him sink back into it. This is the discipline beneath every painting: learning to see in grey before you dare to see in colour.
A plaster philosopher, copied faithfully from the Academy's shelf. To draw the cast is to hold a long conversation with the dead about the fall of light across a brow. The exercise is old, and humbling, and it works.
White plaster in a black room, holding perfectly still for as long as it takes. She studies the cast the way earlier centuries did — patiently, reverently, by hand. What survives on the page is not the statue but the looking.
Between Tehran and Florence — a life spent learning to see.
Behnaz Alebouyeh is a visual artist, born in 1990 in Tehran, Iran, and currently residing in Sweden. She studied in the painting program at the Faculty of Art and Architecture, Azad University of Tehran, between 2010 and 2014.
She then continued her studies in realist painting at the Florence Academy of Art in Mölndal, Sweden, between 2017 and 2020, where she also worked as a teaching assistant and received several awards from the academy. She now works as a professional painter in Lund, Sweden.
Selected paintings and drawings are available for acquisition. For price, provenance and shipping, write to the studio.
The studio welcomes commissions, portrait sittings and gallery enquiries.
studio@behnazalebouyeh.com
© 2026 Behnaz Alebouyeh · Lund, Sweden